at her greatest.Ĭatch up every Saturday with 10 of our best-reviewed albums of the week. shines-and it’s the closest the album comes to capturing H.E.R. She harmonizes as the track fades out, conjuring an image of her standing on stage in the spotlight just before its cut. Would love to see richer features built on top of the. Just being able to store different nuggets of information from the internet (be it text, image, etc.) instantly is IMO a much needed functionality in this digital age. She’s searching for more corners to place her voice in, singing up and down with the notes of her guitar. Just a few days using My Mind - and already it is proving to be quite a useful product. a different sort of backdrop to work with. What new wrinkles could she incorporate into her sound? Listening to Back of My Mind, it’s hard to tell, but the answer may lie in a song like “We Made It”-or its sonic opposite, the earthy, “Hold On.” Its soulful DNA feels endearingly familiar-so much so that I had to make sure it wasn’t a cover-and, paired with its live instrumentation, gives H.E.R. The choices she makes-from the glossy R&B production to favoring vocal riffing over a good hook-feel altogether safe, like she’s protecting a legacy she was born into. seemingly has the heavy, heartstruck ballads built for streaming playlists down, but there seems like there’s already a limit on where she’s willing to go within a song. Elsewhere DJ Khaled and, disappointingly, Chris Brown, show up and don’t contribute anything to make the record feel more dynamic. The title track, meanwhile, is more successful, as she and Ty Dolla $ign’s sweet spots overlap, creating a smooth back and forth.
song, with its flavorless trap beat and stock lyrics.
The Lil Baby feature on “Find a Way,” for example, sounds like a Lil Baby song, not a H.E.R. Rather than doing that, she tries to switch things up through collaboration, which leads to mixed results. would break out of her sleepy hum and shoot for something more spirited. But by the time you get to “Exhausted,” another ballad that relies solely on her voice and one layer of instrumentation, you wish H.E.R. Possessor Review: Where Is My Mind A high-concept tale of futuristic assassins and brain implantation might sound slick and flashy, though it need not be. Read honest and unbiased product reviews from our users. Nearly all of them are simple and pretty, like “Mean It,” a gentle and poignant acoustic song with a chorus that gets more lodged in your chest each time H.E.R. Find helpful customer reviews and review ratings for MYMIND® Case for MacBook Air 13 Inch Matte Look - Premium Quality with Keyboard Protection - Ultra Thin MacBook Air Case M1 2018 to 2022 - Apple MacBook Air Case - Protective Cover Optimal Hold at. Its warm, ’80s-inspired production and schmaltzy lyrics sound like something you’d heard on a late-night slow jams radio show.īallads were a staple of H.E.R.’s initial five EPs, and she again uses them frequently on Back of My Mind, for better or worse. With the help of songwriter Ant Clemons, H.E.R.’s delicate lilt folds in beautifully with the beat as she warns a lover to be careful with her heart.
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Having Cyrus sound so comfortable in his skin at such a late stage is a bit unexpected, but Change My Mind benefits from his veteran skills he never pushes too hard, he just settles back into the songs and he winds up with one of his best albums yet.One of those moments is on “Damage,” which thoughtfully incorporates a late-career Herb Alpert sample (one Bone Thugs-N-Harmony fans might recall) by adding in plucks of piano, thudding drums, and a big low end. Cyrus remains more of a showman than a down-home country boy - something the mawkish "That's What Daddys Do" makes clear - but Change My Mind strikes precisely the right blend of grit and glitz, a record that's clean and mean but still kicks. Here is what I found.At Bizmentum, we are building so. Unlike any of the records he's cut since 2006's Wanna Be Your Joe, there are no attempts at a slick crossover pop hit (although the excellent, propulsive, hooky "Good as Gone" could have been an AM pop hit in another time): there are blues stomps, raunchy guitar riffs, and ballads dressed in dobros. I have been testing MyMind to see if it might be able to take over some of my note-taking and clipping. A shade rougher and rowdier than anything he's ever recorded - he goes so far to sing a cheerfully profane chorus on the closing "Stomp" - Change My Mind succeeds largely because Billy Ray allows himself to lay back and rock out, lets himself revel in the noise he's making. Unexpectedly, 2012's Change My Mind - the sequel to his toothlessly jingoistic but nonetheless amiable 2011 set I'm American - finds the right groove, one that's not too slick, not too loose, one that showcases Cyrus' everyman skills to an appealing effect. Ever since his daughter Miley became a superstar in the late aughts, Billy Ray Cyrus has been doggedly working at a comeback, attempting album after album, none of them quite the right showcase for his unassuming charms.